Twine
Lossy Multieffects Mixer
Part of Studies
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Or own the plugin
The original plugin with its own interface, as a one-time purchase.
Description
Twine is a lo-fi, lossy multi-effects mixer. Its six effect algorithms warp and bend your incoming audio into all sorts of aural dissections.
Each effect has a fader for how much of it you hear, a MOOD control that changes the algorithm itself and a CHANCE control that sets the probability it comes through the mix. With CHANCE below full, the effects drop in and out on their own, so the chain keeps changing and modifies your sound in pleasantly unpredictable ways.
The six effects run one after another. SKIP comes first and reads from a loop of the last few seconds of your input, then WARP, CRUNCH, GHOST, BAUD and PULSE follow in that order. Each one is mixed into the chain at the level its fader sets, so with a fader down that effect is left out. BLEND brings your dry sound back in at the end.
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Warp
- WARP
- Adds a tape-style warp with slight pitch wows and flutters. Higher settings add more wobble and roll off more of the highs.
- MOOD
- Raises a high-pass filter, up to about 330 Hz, and adds a little filter distortion to the warped sound.
- CHANCE
- Sets the probability that WARP comes through. Fully clockwise it's always on, and at noon it comes through about half the time. Higher settings also roll the dice more often.
-
Crunch
- CRUNCH
- Adds lo-fi digital distortion. Higher settings add more of it, with more sample-rate foldover.
- MOOD
- Sets the bit crushing, from 16 bits down to 3.
- CHANCE
- Sets the probability that CRUNCH comes through.
-
Skip
- SKIP
- Retriggers grains from random points in the last three seconds or so of your audio and mixes them into the chain.
- MOOD
- Changes the grain rate and size. Higher settings give more frequent, longer grains, up to three a second and one second long.
- CHANCE
- Sets the probability that SKIP comes through.
-
Ghost
- GHOST
- Mixes in a feedback delay that makes phase offsets and sonic doppelgängers. The right side runs slightly shorter than the left.
- MOOD
- Sets the delay time and the feedback together. Low settings give short, light flanging; high settings give delays of up to two seconds with dense repeats.
- CHANCE
- Sets the probability that GHOST comes through.
-
Baud
- BAUD
- Blurs the spectrum of the sound, over up to one second, and mixes it in. Higher settings blur more and mix in more.
- MOOD
- Sets the pitch of the blurred sound. About two-thirds of the way up it's unshifted; at noon it's an octave down, and fully right it's an octave up.
- CHANCE
- Sets the probability that BAUD comes through.
-
Pulse
- PULSE
- Adds a tremolo to the whole chain, in time with your host tempo. Keep it low for a shimmer, or turn it up and Twine becomes a pulse-driven effects bus.
- MOOD
- Sets the pulse rate in eleven steps, from stopped up to 10 pulses per beat.
- CHANCE
- Sets the probability that PULSE comes through.
-
Master
- BLEND
- Sets the mix between your dry input and Twine. Fully right, the default, you hear only the processed sound.
- GAIN
- Sets the output level, from silent up to double. Noon is unity.
Try thisSet every CHANCE around noon and let the chain reshuffle itself. Turn one CHANCE higher and that effect stays in more often and changes its mind faster.
In Studies
Twine is in Studies Effects, under Modifier.
Standalone
The standalone plugin, shown further down the page, has no dry/wet control or output level. In Studies we added BLEND and GAIN.
Bundle
The standalone plugin is also part of the Modlab bundle.
- Formats
- Studies: Audio Units, VST2 and VST3 on Mac, VST3 on Windows · Apple silicon native
- Systems
- Current macOS and Windows 10/11 x64
Standalone version
The original plugin with its own interface, as a one-time purchase.
AU · VST2 · VST3 · macOS · Windows